Sci-Fi Visionary: Piotr Szulkin Celebrates Certainly One Of Poland’s Most Revolutionary Filmmakers

Sci-Fi Visionary: Piotr Szulkin Celebrates Certainly One Of Poland’s Most Revolutionary Filmmakers

“An Eastern European Ridley Scott… the cultural commentary of Szulkin’s oeuvre is universalist… their future is our now.” – Ela Bittencourt

“The Polish ‘cinema of anxiety’ soars from this globe within the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal

Movie at Lincoln Center is very happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many filmmakers that are revolutionary September 6-8.

A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently faced censorship through the Polish Communist regime for the belated ’70s and very very early ’80s for their unabashedly governmental works. Szulkin’s films that are profoundly imaginative be looked at as existential stories, absurdist parables, or premonitions about contemporary society’s hostility and also the evils of totalitarianism. Drawing from 20th-century philosophy and Polish medieval literary works through speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to generate shockingly iconoclastic technology fiction movies. Referred to as “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies which were hardly ever seen away from his indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global climate that is political.

Among the biggest retrospectives of their work to date, Sci-Fi Visionary: Piotr Szulkin provides an array of brand brand new electronic restorations and brought in movie images. The show showcases every one of Szulkin’s features, including their audacious cult classic Golem , frequently considered a precursor to Blade Runner ; The War of this Worlds: Next Century, a reimagining regarding the H.G. Wells novel plus an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the finish of Civilization , which follows the rest of the survivors of the nuclear apocalypse because they watch for a mythical Ark to save lots of them from their serious situation; Szulkin’s research of female sex into the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship while he is delivered for a objective up to a authorities state hell earth; and Szulkin’s final movie, King Ubu , in line with the 19th-century Albert Jarry play, a brutal commentary on modern Poland into the aftermath regarding the Communism Szulkin criticized throughout their profession. Also, the retrospective will emphasize Szulkin’s quick movie work, such as the folklore-inspired morality play Dziewce z ciortem in addition to documentary Working Women .

Presented in collaboration utilizing the Polish Cultural Institute nyc.

Arranged by Florence Almozini and Tyler Wilson.

Tickets carry on sale Thursday, August 15 and tend to be $15; $12 for pupils, seniors (62+), and persons with disabilities; and ten dollars for movie at Lincoln Center people. Save because of the purchase of three seats or higher.

Acknowledgments: Polish Cultural Institute Ny; Daniel Bird

FILMS & DESCRIPTIONS All tests occur during the Walter Reade Theater (165 western Street that is 65th otherwise noted.

Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a prolonged company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey looking for intimate fulfillment, leading her into increasingly deranged, sinister realms as memories from fever-dream seductions to her childhood mingle. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from brides to be com a free-floating apparition of a lusty Joseph Stalin to a couple of shockingly randy puppets—as it savages faith, their state, as well as the notion of the nuclear household.

Preceded by: brand New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious labor. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm

Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic dystopian satire. In the next where life in the world is becoming therefore wonderful that only prisoners can be used for the dangerous company of room research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is sent for an apparently condemned objective to a planet that is uncharted. Upon their arrival, he discovers some sort of curiously just like a dilapidated, postapocalyptic world, where he’s welcomed because of the populace as being a “hero,” an ignominious honor, he quickly learns, that accompany a many fate that is barbaric. Using the film’s accordingly nonsensical name from the babble of his infant child, Szulkin provides a bleakly acerbic commentary in the absurdity of life in a authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm

Brand brand New electronic renovation Golem Poland, 1980, 92m Polish with English subtitles in a few dystopian future, experts try to create a brand new, flexible battle of people. a apparently ordinary item associated with the work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring while he goes about their life amidst drab Soviet bloc architecture. Szulkin’s bold function first, styled in sepia tones and dramatic illumination, happens to be called a precursor to Blade Runner , but its name additionally appears returning to an even more ancient misconception of creation and morality.

Preceded by: brand brand New electronic restoration The Gal as well as the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play in regards to a sinful woman’s encounter using the devil, set into the Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm

New electronic renovation King Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere According to Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie is a crazy, carnivalesque commentary on post-Communist Poland for which drunken degenerate Ubu (Jan Peszek) seizes control over the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) simply to institute his or her own absurdist, tragicomic reign of terror. Updating Jarry’s iconoclastic eyesight with a new dose of dark, post-Soviet cynicism, King Ubu can be an incendiary summative statement from an artist whom devoted their profession to lobbing grenades during the equipment of totalitarian governmental corruption. Sunday, September 8, 6:00pm

Brand brand brand New restoration that is digital, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted up to a squalid underground bunker where survivors toil desperately to uphold the very last vestiges of civilization. These are typically spurred in by their fervent belief in a fabled Ark which will deliver them from their residing hell—a misconception propagated by the powers that be, and distribute, in component, because of the increasingly disillusioned smooth (Jerzy Stuhr) as he tries to push away total collapse. Involved in an expressionistically grimy, grey- and palette that is blue-toned Szulkin crafts a shattering existential parable concerning the false claims of politics and religion that plays away such as a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm

brand New electronic renovation The War associated with the Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles focused on both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts with all the Christmastime takeover of Poland with a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) while the sound of these 1984 -esque propaganda device. But once Iron dares to stop message, he makes an enemy also more than the aliens: the continuing state it self. Released just like Poland was being plunged into martial legislation and instantly prohibited, The War of this Worlds: Next Century is a disturbingly prescient allegory of power, control, and news manipulation in a world that is post-truth. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm